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Watch 300 Rise of an Empire Online The Rob Bowman goes to be a part of that vast panorama of catastrophic brackets fiction that do not provide anything new compared to the ordinary . Admitted that the idea of the awakening of the dragons , as traveled, can be valid , so you can not say about his development profilmic , who demeans and sinks under the weight of a scenario all too bleak and battered.
In a pile of rubble Bowman chooses to return to the essential social , pervaded by the necessary fulfillment of needs, from the sense of security and the concept of civil society from the weighted resource management .
The human being preserves its survival, fight for it and , in the case of Quinn, is the guarantor of an order precarious and difficult to maintain : the protagonist assumes the leadership of a community perched , intimidated by the fearsome winged dragons sorties , trying to keep a glimmer of morality that can and should exist in this situation .
The first part of the film is stale , very little narrative but excited , at least until it appears so exciting Van Zan , warrior able to provide crucial input for the liberation of men.
Anyway Bowman does not dispense the necessary action sequences , with the exception of the scene of the archangels , where the team of Van Zan fight in the sky along with the prey for size and ferocity are actually predators.
The director does not overturn the rules of profilmic , probably because he has no intention of either innovate nor to impress , simply adapts to inflated rents , academically supported and weakly stressed.

It is not enough , therefore, some special effect to raise the structure , however, the expectations , although disappointed , have resulted in a good turnout of audience in theaters , probably more than anything else in the cast : Christian Bale and Matthew McConaughey play the moralist and all'alienato , while Gerard Butler remains confined within the terms of the sympathetic and willing friend of Quinn, before turning in strong characters , majestic and decisive .
And ' symptomatic that the prologue creates the foundation for a great adventure , but making shipwreck expectations after a few moments of indecision , the voiceover tells Quinn and introduces into each other, but in the performance in the final as there is only a mere show very modest .

write a letter to the barman of the hotel, saying that a friend will go to look for it.
When he wakes up in Los Angeles today , the man turns out to be Hannon Fuller ( Armin Mueller- Stahl ), a famous programmer of virtual worlds , which shortly thereafter was assassinated .
Suspicion falls on Douglas Hall, a member of Fuller, the same man who in reality 70 years ago, would have to pick up the envelope and read the contents.
His investigations lead him to discover that the reality is enveloped by a series of virtual worlds that are woven to form a disturbing picture and amazing.

The images in the opening fit the viewer in a beautiful setting and a happy retro set design helps the imagination to be in Los Angeles in 1937 , with the dormant colors that pay homage to the sepia scenes Overlook Hotel in The Shining even in the conversation at the bar between the two men that are spoken at the counter.
Immediately , the realistic and soft image of the city, as it was in '37 , fade away , screeching in the hatch of the first of many flights that will mark the entire time course of the film and the moving narrative of events these days, stopping abruptly each projection imaginative and impacting a current reality immersed in cold technological dimension that will complete the framework of the story.
The whole plot , rather dense and complex , unfolds in a solution of repeated temporal discontinuity and the environment, making it , at times, active understanding of the film and giving the film a form that recalls the works of the classic cyber -fiction today, both in the literary genre , here in particular the narrative of Philip K. Dick, who work for the screen , such as " the Deaths of Ian Stone, the next eight years old, " the Butterfly Effect " , which is also the next and others, but especially the call is addressed to "The Matrix" , the same year, but came out a few months later.

Both in "The Matrix " that " The Thirteenth Floor " attention is led to the inevitable conclusion that there is an objective reality , called to be the definitive point of reference for the existential dimension of man, but , on the contrary , is revealed the paradox of a world or virtual worlds and parallel so densely that intertwine in what is considered the real life , do not allow more than distinguish reality , as well as man perceives , from the simulation , and then run the risk of getting lost in groped to distinguish the true nature of the human race , from the simulated .
The historical conflicts are scattered throughout the film in constant travel and movement between past and present, fracturing the narrative segments located on different floors and highlighting aspects of deliberate anachronism , as seen in the sequence of the meeting in a bar in Los Angeles today between Douglas Hall and Jane Fuller, made ​​in the image of Gloria Grahame 's " Great hot" Lang
The reference to the past is also symbolized by the image of football with baseball players in tin and mechanical functioning, vintage game that contrasts with the technological reality that is manipulated in the company is located on the thirteenth floor of the building.
In a continuous envelope of situations presented to surprise one another and in a process of subsequent revelations , the film winds stirring aspects noir thrillers that recall the '40s , with the ingredients of a cyber computerized movie .
Among citations in Chandler and environments not causal ( the Wilshire Grand Hotel , the scene of many stories of the screen) , the film is fascinating , adapting , but not imitating , which is the controversial aspect according to Blade Runner Dick / Scott.

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