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Watch Heaven Is for Real Online Matt Damon responds perfectly to the archetype of the hero intended immolation , but it is outclassed by an unrestrained Sharlto Copley , former star of " District 9 ", which carves a memorable Kruger, unrivaled for absurdity and unpredictability of humor. Equally perfect, but it is not news , Jodie Foster in the role of the Secretary of Defense Delacourt , thrown in the famous but probably non-existent " dustbin of history " , while the rest of the cast, Alice Braga ( Frey) Wagner Moira (Spider ) is Ethnic judiciously .

Evocative scenes of Philip Ivey , who chose the suburbs of Mexico City to recreate the Los Angeles of the future, a run-down slum contaminated wrecks of industrial architecture , in which the droids Armadyne defend the status quo through brutality . For the design of Elysium, on the other hand , Ivey was inspired by the Stanford torus , the draft prepared by the homonymous university in 1975 with a view to the future and never made ​​colonization of the cosmos.
" Elysium ", you'll probably be accused of a certain naivety to the scene a little ' simplistic , which tend to offer utopian answers to complex problems , but it is forgiven in the name of good intentions.

find the line with the urgent need to transpose the visual limits of a fantasy impatient at the end inadequate science fiction .
Neveldine and Taylor, at ease in the domain psychedelic and hyperactive that you have created with the two chapters of "Crank " , perform another master key to connect to the size hyperkinetic very dear to them , writing and directing this "Gamer " grotesque explosion nanotechnology , artificial intelligence and social networking. " Gamer" is the exaltation of digital algorithms , a game of virtual images in a transposition iperfantastica of social reality projected into a future flooded with interactive video games , where the sequences obsessive run for 90 minutes of inconsistency and repetitiveness.

In 2034 the control of the mind is actually assembled in a sophisticated software to form video games through which you can interact with the behavior of people , acting on it and adjusting nature.
The ruthless billionaire computer Ken Castle ( Michael C. Hall) , realizes Society and Slayers , two games where the characters are death row inmates are given the chance to earn his freedom if he can pass 30 tests.
Sample of Slayers is Kable (Gerard Butler) , controlled by the young Simon, who is committed to bringing Kable freedom.
Films directed by the pair of directors in the wake of the frenzy , the idea of ​​recycling challenge ( " Round of 12 ", " Death Race ", " The Running Man " ) and forcing his hand on the visual dynamism , but losing to the flicker of the street their first job.

One may venture to read between the lines of the subtext a live connection to the dangers media , from Big Brother to loss of consciousness of social identity lost in limbo kinetic , but it is more likely that even these aspects were covered in the intentions of the authors and the result is a film that remains anonymous in the eyes of the spectacle put forward to the most fanatical and visual levels that empties the slightest sense of meditative and personification of the characters.
The rarefied screenplay ideas induced nell'eccentrica not come to the surface and the possible existence of subplots a virtual parallel universe ( "The Matrix" ) or the deterioration of a mechanized world fade into a neurasthenic story about the metaphysical violence ( " Rollelball " " The Running Man ").

Butler, sorry detect it , is a hero dish , like his race , in which he is engaged without belief in a miserly role of identity.
The accusation of corruption spheres of government polluted by inciucci a policy question and the consideration of the prison system to collapse, elements are sown in bulk in the film, which lets himself be dominated by neurotic rhythm and is careful not to tell the stories of men, but remains pleased with his elegiac nature of virtual consumerism .

virtual simulacra , but individuals with the nanocells implanted in the brain , which is knowingly will subject to the will of one who commands them . If the "Society " is a Social Simulation Game background predominantly sexual , in " Slayers " a handful of death row inmates are facing in a battle to the death in specially designated areas of the city .
The goal is the liberation , if the "competitors " should reach safely on the thirtieth round. No one has managed to survive a long time until the arrival of Kable , who soon becomes a hero to the masses hungry for massacres pay- per-view . Demiurge multi-billionaire Ken Castle of the operation , which craves the control of conscience , and absolute power .

The ineffable coupled Neveldine / Taylor, already authors of the pleasant "Crank " and the less successful "Crank : High Voltage" (as well as writers of decent horror hospital " Pathology " ) tries again with "Game " , superfluous as inconsistent foray into science fiction. The two fall by the wayside humor , even vulgar and facile , which characterized the pyrotechnic misadventures of Jason Statham, and dismiss any satirical intent in favor of an empty heaviness steroid : multiple headshots and bloody massacre FPS on the one hand , a hyper-realistic version "Second Life " for sweaty erotomania other.
Both " Society " and " Slayers " satisfy the natural human propensity for violence and sex , using the satisfaction of their instincts as a control tool . The relationship between those who play and those who " played " causes alienation and dispossession in controllers and loss of individuality in the avatar , reduced to " Society " a puppet of the fantasies of others.
In " Slayers " the player who , through his quick reflexes , has the power of life and death on his conscious pawns , instead satisfies un'adolescenziale will to power.

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